Conyac で依頼された翻訳結果を公開

As the LA Phil’s Centennial approached, Borda thought an offsite YOLA center, a sort of “nucleo mother-ship,” she called it, was in order. She described her vision for the space: A community center for music that would have a place where our national affinity organization for El Sistema programs throughout the U.S. met. We could convene national meetings, community meetings, rehearsal space, and since the music school isn’t populated until three in the afternoon when the kids come in from school, it could work as a space for community artists, or artists in underserved neighborhoods who need a place to rehearse and record and do different things.