Conyac で依頼された翻訳結果を公開

Brown first earns the unruly students' attention when he proves they can't intimidate him—after all, he was them once. But then he earns their respect when he hustles Peanut in cards. As he finds his footing, he strengthens his voice, and soon introduces the students to his true love: chess. While teaching them the game forces them to settle down, focus and use their brains (which is a good thing), it also inspires Brown, and the film, to hammer us over the head with the notion that chess is a metaphor for life (which is a bad thing). Think before you move! Protect your king! At the device's most obvious, Brown waxes poetic about the importance of the king just as one of his students is being shot to death in an alley.
Nevertheless, Brown is undaunted, and forges on with his instruction—which has now developed into a full-blown chess club in a run-down house he's rented and renovated. (All that sweeping, cleaning and painting with the kids' help provides fodder for one of the films' three, count 'em, three montages.) And Tahime has become his star pupil, with an untapped intellect and natural gift for the game.