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  4. How did she know that? The Kents knew...

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[Translation from English to Portuguese (Brazil) ] How did she know that? The Kents knew Clark was sui generis, but was it discu...

Original Texts
How did she know that? The Kents knew Clark was sui generis, but was it discussed? He was advised to keep his powers under wraps, but why? In the original screenplay there was a scene of Jor-El explaining why he would need to keep his powers secret. The scene is missing here, and it occurs to me that there never was a good reason why Clark Kent and Superman needed dual identities. It's also a question why Clark waits to flaunt his superpowers. He walks all the way to Metropolis, where he demonstrates he can fly, stop a helicopter and a 707 from falling, and so on. Did he always know he could do that? How did he know? Did it take practice?
The wisdom of the comic books and the movie is that no attempt is made to explain too much. The device of the deadly Kryptonite is necessary because a superhero must have at least one weakness to give him interest. Other astonishments are simply designed to be accepted, as children do when told a story. He is Superman, he fights for Truth, Justice and the American Way, and that's that.
[deleted user]
Translated by [deleted user]
Como ela sabia disso? Os Kents sabiam que Clark era extraordinário, mas isso foi discutido? Ele foi aconselhado a esconder seus poderes, mas porquê? No roteiro original existe uma cena onde Jor-el explica por que ele iria precisa manter segredo sobre seus poderes. Essa cena está faltando aqui, and me ocorre que nunca existiu um bom motivo para que a dupla identidade de Clark Kent precisasse existir. Também é uma pergunta o porque que Clark espera para exibir seus superpoderes. Ele anda por toda metropólis, onde ele demonstra que pode voar, evita a queda de um helicopero e um 707, entre outras coisas. Ele sempre soube como fazer essas coisas? Como ele soube? Ele praticou?
A sabedoria dos quadrinhos e do filme é de que nenhuma tentativa é realizada para explicar demais. A existência do perigo da Kriptonita é necessário porque um super-herói deve ter pelo menos uma fraqueza para o tornar interessante. Outros fatores interessantes são criados simplesmente para serem aceitadas, como crianças fazem quando contam história. Ele é Superman, ele luta pela verdade, justiça e pela América, ponto final.

Result of Translation in Conyac

Number of Characters of Requests:
1034letters
Translation Language
English → Portuguese (Brazil)
Translation Fee
$23.265
Translation Time
about 2 hours

Other Translations From English To Portuguese (Brazil) Are Made Public

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You have a hand on the crowd while you're doing your thing – "Are you with me? Are you with me?" It's a mixture. You pick your moments to go, "Screw the audience" and you pick your moments where you need the audience. And I think we've gotten crafty enough where even when you're trying to bring them back, you're not doing something too hacky. You're trying to do something that's still something...
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[deleted user]'s Public Translations

Após sua primeira noite de volta ao seu mundo familiar, ele vai até uma loja de relógios onde Shinko (Chisako Hara), sua jovem amante, vive e trabalha. Ela se inclina para ele, e eles fazem amor sem cerimônia. Ele não demonstra afeto. Ele aconselha-a à procurar um marido e iniciar uma família. Ele volta para sua vida rotineira da gangue sem cerimônia, como se permanecer nos termos da prisão fosse impróprio.
Ele gosta de apostar. O filme começa com uma sequência de apostas, e existem muitas outras, e visualmente elas são tão elegantes quanto as cenas de Ozu.
English → Portuguese (Brazil)
O diretor de "Pale Flower" é Masahiro Shinoda, cuja escolha de visual é o preto e branco panorâmico e seus personagens movem-se com a graça de Antonioni em praticamente o mesmo tempo. O fato de Shinoda ter trabalhado como assistente de Ozu talvez seja uma explicação para alguns de seus quadros precisos.

Os apostadores jogam um jogo chamado Flower Card envolvendo finas fichas de tabuleiro que clicam quando eles tocam-nas; ouça com atenção à trilha sonora por Toru Takemitsu, o mestre compositor que, segundo Shinoda, disse-lhe "grave todos os sons e eu os usarei." Ele segue do clicar de cartas ao sapateado e então chega nos acordes dissonantes, como se o ritmo do jogo estivesse dando um caminho à emoções interiores.
English → Portuguese (Brazil)