[Translation from Japanese to English ] On this article, I focused on his opinion about "the undecidability that imag...

Additional info

依頼文は、以下の文章に続く文章です。日本語と英語と続けて記載しましたので、続きの翻訳をお願い致します。
この文章は、ロンドンの芸術大学受験に提出するものです。
「2007年にSで開催されたCaosmosは、何らかの痛みを起点として表現活動を展開した作家の、孤独と向きあいながらも逃れようのない自らの苦を引き受け、表現へと昇華させた絵画作品の数々を紹介した展覧会。
　美術評論家のMr.Fはこの展覧会の批評記事で、本展のねらいである「感性の直接的な伝わり方」に少なからずの疑問を呈しており、「人間という存在のさびしさとは、イメージと感情が必ずしも合致できないという不可能性にこそ、人間が本質的に抱え込むさびしさがあるのではないか」と論じている。」「Caosmos was an exhibition held in 2007 at S, which featured many works from artists who developed their expression from a painful place, who accepted that while they battled loneliness, they would not be able to escape from their own suffering, and created even greater work through this expression.
Art critic Mr. F wrote in his review of this exhibition that he had considerable doubts concerning the theme of the exhibition, “How to directly convey sensitivity.” He argued that, “the loneliness of human beings is one that they carry precisely because it is not always possible for them to match up the image of loneliness with the feelings of loneliness.”」

Original text

私は、本記事で彼が論じる「イメージと感情が必ずしも合致できないという不可能性」に着目し、自身が制作する油絵作品にその要素を生み出すことを試みています。アーティストと鑑賞者との間で発生する、必ずしも分かち合うことができない「シンパシーの共有の不可能性」の要素を引き出し議論することを目指しています。

Translation / English

On this article, I focused on his opinion about "the undecidability that image does not always correspond to emotion".
I am currently trying to reflect it on my oil painting I am working on now; I hope that through my work, we can talk about the undecidability of sharing sympathy, which always happens between the artist and the viewers.

Translation / English

I focused on the "impossibility of matching the images with the feelings" that Mr. F discussed in the article, and is working to create that element in my oil paintings. I aim to draw out and discuss the element of the "impossibility of sharing sympathy", that arise between the artist and the audience, which cannot necessarily be shared by both parties.

Translation / English

I focused on the issue that he was debating on "the impossibility about how images and feelings could not always match", and inspired from that, I'm trying to create something with an aspect on my own oil painting. My motivation and one of the goal is to debate on the gap that exist between the artist and the viewers of the creation. The gap, which can be thought or said as "the impossibleness of sharing the sympathy"