Conyac で依頼された翻訳結果を公開

It is through understanding the Post-Internet condition that we can propose all contemporary art created after the internet to be deduced to an art that has been effected and mediated in some way by the rhizomatic, decentralized network of the internet along with the properties of other media technologies and products. At its most basic this is art’s existence through various forms of digital documentation (standardized from the 90’s onward with the massive availability of prosumer camcorders, digital cameras, etc.) ranging from videos to gifs to jpegs and ultimately to its presentation on the artist website and its dissemination to other websites, blogs, etc.