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"In addition to using animation and graphic elements to clarify complex material or to convey a tone, animation can simply be used as an aesthetic choice. While in the past, documentary purists would have argued that animation had no place in depicting reality, it's now largely understood that even the most verite documentary relies on some degree of manipulation.Animation can liberate documentarians from relying on archival footage or other traditional devices to tell a story, and, along the way, confound the outdated notion that documentaries are simply a straight retelling of the truth -- surely, in this age, we accept that all filmmaking -- based on actual events or not -- involves a certain amount of artifice.To visual effects artist Brian Oakes, 'The Kid Stays in the Picture' was the groundbreaking film that made animation permissible in
documentaries (although there have actually been documentaries which use animation since "The Sinking of the Lusitania" in 1918)."

"Provence, 1970: M.F.K Fisher, Julia Child, James Beard, and the Reinvention of American Taste, by Luke Barr. Recommended by J. Bryan Lowder, Outward assistant editor and culture editorial assistant. 'It’s rare that a book can entice both the stomach and the brain. In his gorgeous novelistic travelogue, '"