Giuseppe Tornatore's "The Best Offer" features the downfall of an uptight main character, played by Geoffrey Rush, led through a symbolic fairy tale forest to his own ruin. There's even a princess locked up in a tower, and the bread crumbs through the forest take the form of little mysterious rusty gears, which when put together create an 18th century automaton that threatens to take on a life of its own. The magic here is ominous and seductive, and Virgil Oldman (Rush) can't seem to stop himself from getting deeper and deeper into the forest.
It's all a bit overheated, and while there is certainly nothing wrong with melodrama, the problem arises when the script (also by Tornatore) keeps insisting on explaining its own symbolism and subtext, to make sure we get how deep the thing is. The script here is a 5-page term paper with too many footnotes, filled with lines like "Human emotions are like art. They can be forged.
ان النص ذو الخمس ورقات به تعليقات كثيرة علي الهامش في ذيل الصفحه مملوئه بعبارات مثل "ان المشاعر الانسانيه مثلها مثل الفن" يمكن ان تكون مزيفه
