Conyac で依頼された翻訳結果を公開

Those caveats aside, visual splendor and hot-blooded melodrama mostly win out over rickety pacing and scripting. Bhansali makes strong use of visual signifiers, particularly guns, which are introduced immediately and pervade throughout, and which in spite of being wielded by literally almost everyone in the film are never treated casually. There is always great import to the way in which guns are held and used, and the effects of their use are never elided. The other main recurring reference, skewering male vanity and pride gently though unsubtly, is to peacocks, which make a number of rhetorical and physical appearances.