Frankenstein's all tormented, he took a life for a life, he's alienated and doesn't trust anybody…but wait! As the creature is burying a body, he's confronted by a bevy of demons who want to kidnap him for some reason. And then he's rescued by once-stone gargoyles who fly down to do battle after taking the form of smoking hot winged warriors. They bring the pitiful but unusually powerful fellow to a cathedral where he is given some further back story on the apparently age-old conflict between gargoyles and demons by Leonore, the queen of the gargoyles (played by Miranda Otto, trying hard to look like Jodie Foster).
Anyway: no, I am not making this up.
In ogni caso: no, non sto inventando.
Frankenstein di tutti tormentati, ha preso una vita per una vita, É alienato e non si fida di nessuno ... ma aspettate! Come la creatura è seppellendo un corpo, gli vedi fronte a uno stuolo di demoni che vogliono rapirlo per qualche ragione. E poi lui è salvato da undici gargoyle di pietra che volano giù a dare battaglia dopo aver preso la forma di guerrieri alati di fumo caldo. Portano il pietoso ma insolitamente potente compagno di una cattedrale, dove gli viene dato qualche ulteriore storia indietro sulla apparentemente secolare conflitto tra gargoyle e demoni di Leonore, la regina dei gargoyles (interpretato da Miranda Otto, sforzandosi di apparire come Jodie Foster).
In ogni caso: no, non sto inventando.
While Frankenstein's monster is not generally understood to be a denizen of the supernatural world as derived from half-digested John Milton, this picture, adapted from a comic book and written and directed by Stuart Beattie (who also concocted the risible scenarios of "Pirates of the Caribbean: The Curse of the Black Pearl" and "G.I. Joe: The Rise of Cobra"), apparently is seeking to reboot the character into some kind of "Underworld" mode.
