Instead of having a straight-forward plot, Colella's film is comprised of a series of successive episodes. Over time, protagonists become more, though thankfully not completely, comfortable in each other's company. It's telling that the scene where Curtis's believably uptight dad Simon (David A. Parker) bonds with Syd, and his friends is a scene where Simon spontaneously composes and performs a jokey song about Syd's "dingley-dangley" penis. When everyone, especially Syd, laughs, it's one sign among many of how comfortable Colella is in her film's milieu. She knows exactly when to use an extreme close-up (sparingly!),
وعندما يضحك الجميع وخصوصا سيد فإنها إشارة - ضمن إشارات كثيرة- إلى مدى ارتياح كوليلا إلى بيئة فيلمها. إنها تعرف تماما متى تستعمل اللقطات المقربة جدا وباعتدال.
and the importance of letting her characters reveal themselves through little gestures. In fact, while "Breakfast with Curtis" is weakest when Colella has to prove that her characters have changed over the course of the film, the film is otherwise consummately relaxed. "Breakfast with "Curtis" is believably generous where most coming-of-age stories are unbelievable. It doesn't try too hard to impress you with its candor: it's just naturally likable.
