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This is all laid out with superb craft (the cinematography by Hoyte van Hoytema takes the understated tones he applied to 2011's "Tinker Tailor Soldier Spy" and adds a dreamy creamy quality to them, so that even the smog layering the Shanghai skyline that sometimes stands in for Los Angeles here has a vaguely enchanted quality) and imagination. If there's a "but," it's that the movie can sometimes seem a little too pleased with itself, its sincerity sometimes communicating a slightly holier-than-thou preciosity, like some of those one-page features that so cutely dot the literary magazine "The Believer." As in, you know, OF COURSE Theo plays the ukulele. And I'm still torn as to whether the idea of a business specializing in "Beautifully Handwritten Letters' is cutely twee or repellently cynical or some third thing that I might not find a turnoff. For all that, though, "Her" remains one of the most engaging and genuinely provocative movies you're likely to see this year, and definitely a challenging but not inapt date movie.