The movie begins with what it believes constitutes some kind of wit: A television program of the near-future called "The Novak Element" in which a loud-mouth opinion-mongering host—is he right-wing? is he left-wing? the movie won't really make that clear (it's absolutely that kind of movie) but he is played by Samuel L. Jackson—expresses grievances over the fact that law-enforcement robots developed by "Omnicorp" (get it?...again, it's that kind of movie) are now being used in every country in the world but our own.
To demonstrate how egregious this is, Novak shows his remote camera crew in what appears to be U.S. occupied Tehran, guarded by drones that keep it safe as suicide bombers run rampant in the streets. This depiction of a "future" Iran is either remarkably crass, or remarkably ignorant, or some combination of both (I'm thinking it's the third option), but it's entirely emblematic of where the movie's head is at.
Sorry, I had a problem with submitting, so there is a miss-spelling here: it should be "бесчинствующих" instead of "бесчинствующими". Sorry again.