"Breakfast with Curtis" is more about ambience than narrative progress, so if you don't like these kinds of characters (ie: hippy-dippy aesthetes), the film will drive you up a wall. But even if you don't immediately like the film's protagonists, you'll grow to like them. On a warm summer day, Curtis's neighbors drink red wine, dig holes in the backyard, play ping-pong, write, read, and "think mundane thoughts," as landlady Sadie (Yvonne Parker) wonders aloud. "Curtis" is exclusively populated by people that live in their heads.
They define themselves by the book on their shelves, have taste enough to listen to Brian Eno's "Taking Tiger Mountain by Strategy," and post Emily Dickinson aphorisms on their bedroom doors ("I dwell in Possibility, a fairer house than Prose.").
Curtis's pubescent awakening makes sense in the midst of these amenable snobs. So while the conclusion that writer/director Laura Colella arrives at is predictable, the way she lets her characters get there is sweet, and totally charming.
El despertar púber de Curtis encuentra sentido en medio de amenos snobs. Así que mientras la conclusión de la escritora/directora Laura Colella llega predeciblemente, el camiro que recorren sus personajes hasta allí es dulce y totalmente encantador.
