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As Scott's mother-in-law, Shelley Long portrays an embarrassing mother stereotype prone to saying the wrong thing at the wrong time. The film looks at her with the same disdain it reserves for Jones's meth dealer. Clad in glasses that look obtained from a pimp's optician, Long rambles on about how her daughter can sue the hotel for providing Lumpy with the alcohol that supposedly led to his demise. She also kicks off an argument between the married couple that may be the worst use of product placement I have ever seen. Mrs. Dash, if you paid for this, you deserve a refund.
"Best Man Down" would have been a much better feature had Koland simply told his story with all the familiar trimmings we've come to expect. The familiar doesn't automatically translate into bad filmmaking. Instead, the extraneous subplots and characters serve solely as unsuccessful means of distinguishing the film from its similar subject brethren. They all clash against each other, repeatedly shifting the film's tone.
"Best Man Down" ends with a huge speech that explains everything, a speech that could have been given 20 minutes into the film. Had Ramsey been this forthcoming when she met Scott and Kristin, it would have saved the characters, and us, a lot of wasted time.