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We witness how Ginty, as she is called, got her knack for storytelling but also her morose nature after feckless Pop proves ill-suited for such pursuits as holding down a responsible job. The source of Mary Poppins is revealed in Rachel Griffiths' no-nonsense Aunt Ellie, who swoops in to mend the unsettled household as best she can—that is, until Dad’s condition proves beyond repair.
These blasts from the past, as important as they are, come close to killjoy intrusions at times, especially when we rather revel in scenes such as spoilsport Travers finally succumbing to the magic of the Sherman brothers' music. Besides, two moments provide enough weight on their own without resorting to quite so much melodrama. One is when Hanks digs into a monologue about his own Midwestern farm boy past.
The other celebrates the transformative power of movies, as Travers—who drops in uninvited to the L.A. premiere of "Mary Poppins"—is shown in a darkened theater silently reacting, as if her face were an emotional barometer. It is akin to the key scene in the 1941 classic "Sullivan's Travels," when a jailed film director experiences the power of laughter while seated with fellow prisoners—as they watch a Disney cartoon short, no less.