Translation Results Requested Through Conyac Made Public

You may read other reviews of "Jimmy P.", a drama about the psychoanalysis of a Great Plains Indian after World War II, that point out how essentially shapeless it is, how it doesn't really build to anything, and how the drama, such as it is, is talk-driven and rather low-stakes. All of these things are true. But they are minor in the greater scheme. Here is what you really need to know about "Jimmy P."

First, the movie offers the most psychologically complex screen portrait of a Native American character in at least twenty years, probably more. Second, and related: the titular Indian— Jimmy Picard, a Blackfoot and war veteran who seeks treatment for headaches and catatonia at a facility in Kansas—is played by Benecio del Toro, in one of his greatest performances.
Although it would of course have been preferable for the character to have been played by a Native American (del Toro is Puerto Rican), the actor compensates by rejecting the noble savage and "Big Chief" cliches handed down by American films, even comparatively sensitive ones.