Translation Results Requested Through Conyac Made Public

"The woman’s film at its most radical asks us to see femininity as being fully as complex, various, unclassifiable, vexed, and dynamic as masculinity. Analogously, the horror-woman’s film asks us to consider the older version of the female star as being as fully complex and interesting as the more glamorous, more conventionally beautiful, younger versions of these stars. The ‘60s horror works also continue the woman’s film’s most politically urgent project, which is to interrogate institutionalized heterosexuality and compulsory marriage as equally oppressive structures for the containment of female sexuality and agency.